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USS West Virginia Naval Prints


Cranston Fine Arts Naval Art World War Two Ships USS Quincy to Z23 USS West Virginia

[UP] - USS Quincy - USS Raymond - USS Sacramento - USS San Francisco - USS San Jacinto - USS Saratoga - USS Tang - USS Tennessee - USS Texas - USS The Sullivans - USS Vincennes - USS Wahoo - USS Washington - USS Wasp - USS West Virginia - USS Wisconsin - USS Wolverine - USS Yorktown - Vittorio Veneto - Yamato - Z10 - Z16 - Z23


USS West Virginia Naval Art Prints, Paintings and Drawings

Battleship Row by Stan Stokes.


Battleship Row by Stan Stokes.
3 editions.
2 of the 3 editions feature an additional signature.
£35.00 - £110.00

The Raid on Pearl Harbor, 7th December 1941 by Ivan Berryman


The Raid on Pearl Harbor, 7th December 1941 by Ivan Berryman
5 of 6 editions available.
£2.50 - £500.00

Morning Thunder by Robert Taylor.


Morning Thunder by Robert Taylor.
All 3 editions sold out.
2 editions feature up to 8 additional signature(s).



Text for the above items :

Battleship Row by Stan Stokes.

Admiral Isoroku Yamamoto attended Harvard University where he gained a good understanding of American culture and developed an avid interest in the game of poker. Yamamoto played his cards when he outlined a plan to attack Pearl Harbor in January 1941. In April the Japanese organized a First Air Fleet with Vice Admiral Nagumo as its Commander in Chief. Commander Minoru Genda was appointed air staff officer, and because Nagumo was unfamiliar with air tactics, Genda was given responsibility for planning the attack on Pearl Harbor. Cdr. Genda immediately began perfecting the Pearl Harbor plan, and few details were overlooked. The Imperial Navys First Air Fleet consisted of six carriers. The Akagi, flagship of the strike force, was a converted cruiser which carried 63 aircraft. The Kaga also carried 63 aircraft, and was a converted battleship. The Soryu was the first carrier built from the ground up and was similar to the Hiryu. Each carrier had a compliment of 54 aircraft. With two additional carriers, the Zuikaku and the Shokaku, the fleet had a total of 378 aircraft. Three different types of aircraft were utilized for the attack. Mitsubishi A6M2 Zeros, a highly maneuverable single seat fighter, was responsible for obtaining air control and for strafing aircraft and ground installations. Aichi D3A1 Vals, with two-man crews, were utilized for dive bombing. Nakajima B5N2 Kates were responsible for horizontal bombing and torpedo bombing. The Kate carried a crew of three and had a cruising speed of only 160 MPH. During the first wave of the attack 183 aircraft were deployed. Torpedo aircraft from the Akagi, the Hiryu, and the Kaga targeted battleship row during this first wave. As portrayed in Stan Stokes life-like painting, a Japanese Kate from the Akagi launches its torpedo from very low altitude. Not far in the distance looms the USS West Virginia and Tennessee, virtual sitting ducks. The Japanese had trained carefully, and had modified their Kai Model 2 torpedoes to accommodate the shallow waters of Pearl Harbor. While caught by surprise, the USN was fortunate that its carriers were not in port, and that the Japanese had failed to destroy many of the support and repair facilities. This stroke of good luck permitted the USN to repair many of the ships damaged in the attack quite quickly. The devastating blow Yamamoto had planned for December 7, 1941 backfired by infuriating American public opinion, and eventually lead to Imperial Japans defeat and unconditional surrender.


The Raid on Pearl Harbor, 7th December 1941 by Ivan Berryman

The view across Battleship Row, viewed from above Ford Island as the USS Nevada gallantly makes her break for the open sea, coming under heavy attack from Japanese A6M2s from the carrier Hiryu. The Nevada was eventually too badly damaged to continue and was beached to avoid blocking the harbour entrance. In the immediate foreground, the lightly damaged USS Tennessee is trapped inboard of USS West Virginia which has sunk at her moorings, leaking burning oil and hampering the daring operations to pluck trapped crew members from her decks, while just visible to the right is the stern of the USS Maryland and the capsized Oklahoma.


Morning Thunder by Robert Taylor.

There are few truly defining moments in the history of a State - single episodes that touch every citizen, and cast a nations future. Epoch-making events that influence the entire world are even more uncommon. The events that took place in the space of less than two hours on the morning of December 7, 1941 were of such defining importance, their memory is now deeply embedded into the history of the Twentieth Century. At ten minutes to eight, as the US Pacific fleet lazily came awake, suddenly, and without warning, the world around them exploded with all the mighty force of thunder: Within seconds Pearl Harbor became cloaked with attacking Japanese aircraft. Before sailors could comprehend what was happening, bombs and torpedoes had ripped out the heart of the fleet: Four of eight battleships were sunk, a dozen more naval vessels lay stricken in the water, 2400 souls perished. In those terrible few moments, the tranquil scene was transformed into a boiling cauldron of explosions, fire, smoke and unimaginable destruction. Pearl Harbor became a raging inferno. Robert Taylors specially commissioned masterpiece recreated desperate moments during the second wave attack at around 9am on December 7, 1941. Having taken six torpedo hits and two bomb strikes in the first wave attack on Battleship Row, the West Virginia is ablaze, her bows already low in the water and decks awash. Ignoring the risks, crews push the navy tug Hoga alongside with fire-fighting equipment and to pick up survivors. Overhead, Japanese Zeros swoop through the smoke, aiming the second wave attack at installations on Pearl Harbors Ford Island, to complete one of historys most devastating unprovoked declarations of war.

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